Hot Jazz and Jazz Dance

Contents

Negro Jazz - The Dancing Times (UK), 1929

Serge Lifar: A Study - The Dancing Times, 1930

Harpsichords and Jazz Trumpets - Hound & Horn, 1934

Negro Jazz as Folk Material for Our Modern Dance - National Dance Congress, 1936

On Nijinsky Photographs - The American Dancer, 1938

Dance in the Cinema - Dance Herald, 1938

From Spirituals to Swing: An Evening of American Negro Music - H.R.S. Society Rag, 1939

Consider the Critics - Jazzmen, 1939

Hot Jazz: Notes on the Future - H.R.S. Society Rag, 1941

Bubber - H.R.S. Society Rag, 1941

Hot Jazz: Est-ce du Bach - H.R.S. Society Rag, 1941

Identifications - JAZZ, 1942

Jazz in the Twenties - JAZZ, 1942

Duke Ellington - Jazz Magazine, 1943

Wanda Landowska - JAZZ, 1943

Lu Watters Correspondence - JAZZ, 1942

Louis Armstrong - Jazz Magazine, 1943

Jazz Critic Looks at Anthropologist (Ernest Borneman) - The Record Changer, 1944

Dancing on Skates: Correspondence (Edwin Denby on Sonje Henie) - 1944

The Dance-Basis of Jazz - The Record Changer, 1945

Jazz of This Quarter - View, 1945

Categorical Terms in Jazz: Improvisation versus Arranged Jazz - The Record Changer, 1945

Attitude Towards Early and Late Jazz - The Record Changer, 1946

The Psychology of the Hot Solo - Jazz Forum (UK), 1946 (An earlier and shorter version of this

      article appeared in the Atlantic Monthly, 1944)

A Non-Aesthetic Basis for the Dance - Jazz Forum, 1946

The Deceptive Nature of Sensuousness in Ensemble Playing - The PL Yearbook of Jazz, 1946

The Place of Space and Time in the Dance - Jazz Forum, 1947

Alicia Markova and Alicia Alonso - The Ballet, 1947

France's Answer to Bebop - Playback, 1949

Nijinsky: An Appreciation - Dance Magazine, 1950

Landmark: Landowska Completes the "48" (Preludes & Fugues) - High Fidelity, 1954

Jazz: Its Rise and Decline - The Record Changer, 1955

A Listener's Hierarchy in Jazz: Historical Precedents for the Future - The Record Changer, 1955

The Importance of Dance Style in the Presentation of Early Western Instrumental Music -

    The Music Review, 1955

Jazz and the Dance - Jazz Monthly, 1956

The Problem of Form - Jazz Monthly, 1957

Objective Criteria - Jazz Monthly, 1957

Bubber Miley - Jazz Monthly, 1958

The Cuban Sexteto - The Jazz Review, 1958

Popular Singers - Jazz Monthly, 1959

Throwback - The Jazz Review, 1959

Jazz Dance, Mambo Dance - The Jazz Review, 1959 & 1960

Write That Thing - The Jazz Review, 1960

Uses of the Past: A Reply to Martin Williams and Douglas Pomeroy - Jazz, 1963 (written with

     Jerome S. Shipman)

Tradition in Ballet: Les Sylphides - The Dancing Times (UK), 1964

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